Weng shihui/Shanghai Daily news
The music China 2005 turned out to be a feast for music fans. The event which
was held in the Shanghai New International Expo Center and was part of the
ongoing Shanghai International Art Festival wrapped up on Friday.
Located in
the Pudong New Area, the 20,000-square-meter exhibition hall provided a
diversified platform for approximately 900 participants from 20 countries. Many
world-renowned manufacturers took part in the event, including Roland, JBL, ACE
and Pearl River.
Visitors experienced a visual and aural feast at the
exhibition.
The modern music performances were very popular but there were
also a couple of specially designed "Jinghu" (also known as Peking Opera
fiddles). Even with the stiff competition from the more modern instruments,
these artifacts, featuring in the exhibition attracted big crowds.
The
exhibition of fiddles was called "Meilan Fiddle" to commemorate Mei Lanfang, the
grand master of Peking Opera.
The traditional "Jinghu" is a two-stringed,
bamboo instrument with a high register. It is also famed as the chief musical
instrument used to accompany Peking Opera.
What makes these fiddles unique is
their combination of wood and ivory. Their "zhenzi" (the keys used for tuning)
are made of ivory adding to the instrument's weight and value. These keys help
the fiddles produce an even, smoother timbre.
Apart from the eye-catching
carved plum blossom and orchid on the ivory-made "qinzhen," there is another
amazing aspect to these instruments: 56 famous Chinese fiddlers' names are
carved on the resonators, each fiddle featuring 28 names written in lesser seal
characters (a style of Chinese calligraphy).
Antique violins
Elegant
carvings vividly depict the outstanding fiddlers from the 200-year history of
Peking Opera. These include fiddlers such as Tan Xinpei, Mei Yutian, Sun Zuochen
and Chen Yanheng. Also on display are the fiddles of Mei Lanfang (the most
prestigious "qingyi," the female role in traditional Chinese opera, usually
played by a middle-aged woman, wearing a black dress). These parts have been
played by Xu Lanyuan, Wang Shaoqing and Jiang Fengshan.
The artifacts' bamboo
yellow, ivory white and boa brown coloring make for an appealing aesthetic
experience. The instruments impact is as mush visual as aural.
Lou
zhuangdong, a famous fiddle collector who came up with the idea of for this
special exhibit said: "Without doubt, Peking Opera is the most typical
representation of 20th century stage art in China. These two delicate fiddles
are not only a display, they can actually be played. This is also an memento of
the nation's culture and history.
"I have studied lots of historical records
to identify the list of fiddlers. The list covers most of the fiddlers who have
cooperated with famous Chinese opera artists right the way back to the Qing
Dynasty."
There was even a middle-aged amateur performer of Peking Opera who
traveled all the way from Shaanxi Province to see these Meilan Fiddles with his
own eyes,'' said Lou.
Many visitors were excited to see the excellent
craftsmenship involved in the violins and some of the visitors even wanted to
play the special violins, however, valued at 20,000 yuan (US$2,469), visitors
had to appreciate the instruments from a distance.
The stage shows at the
exhibition consisted mainly of electric pianos and light shows.
The
demonstration of modern and traditional art at Music China 2005 offered
something for all lovers of music.