Painter captures life in water towns
11/4/2005 9:55
Shanghai Daily news
Cen Zhenping, a 66-year-old water color painter, seems somewhat crazy
when creating his works, but there is a method to his madness. During his
nearly half a century of practicing, Cen drew a curving line to show
straightness, used salt to color a glimpse of light and even changed a moldy
piece of paper into a picture of town on a rainy day. As a Qingpu native
living in an ancient water town, he did all that to show the true beauty of
Chinese water towns. "Many people say they feel bored when visiting water
towns, where sceneries are seemingly the same," said Cen. "But that is
because they visit in such a rush and are unable to discover the subtle
differences." Composed with the seemingly same running creeks, small bridges,
river-side houses and winding corridors, each water town has its own
distinguished soul, stemming from the influence of its own location and varied
living habits. Cen is sensitive enough to seize them. Out of his brush, a
once rich town is showed with its majestic architecture and delicate decorations
beside a wide river, while, shabby houses are turned out along a narrow creek of
a barren land. On a rainy day, he sought a messy corner and painted a gloomy
mood on a moldy piece of paper. While the sun shined, he stood opposite to a
neatly built two-story house and added some light pink on its slope roofs and
walls. He goes so crazy for details that he once stopped by a worn-out house
in order to draw arrays of its bricks. "The paintings without any detail may
seem fashionable, but they can not endure long-time observation," said
Cen. "And my paintings can even be useful to architects." And details are
able to indicate twists and turns in lives. Although each of Cen's pieces
represents a peaceful town world, historic ups and downs are traced everywhere
in window carvings, walls, boats and even plants. After looking at his
pieces, a friend of Cen said, "I bet you have experienced a lot." And that is
right. Cen was put into custody during Cultural Revolution (1966-1976)
without doing anything wrong. If that would be the only hardship he had pulled
through, it was not an easy case to handle. Several national literary and
artistic figures committed suicide during the times when they received great
humiliation, but Cen is comprehensive enough to forgive. "That was an irrational
era in which reasoning proves to be nothing," said Cen. He understood the
times and sought happiness in prison. He ate a lot and helped paint posts. His
optimism ensures him the life-long career in water color painting. And he also
got the chances to make it more international. Five years ago, his painting
show earned good feedback in Los Angeles. He provided many Chinese emigrants
a chance to recollect the memories of their missed water towns. It is a happy
experience for him. He opened his eyes wild and toured around the United
States. Cen said the reason that he chose water-color painting instead of
Chinese traditional painting is that the former can be better accepted by the
world. Now, he has settled his studio in a wood-made house in Qushui Garden,
where lichen decorated trees stood for more than a hundred years. Cen said
people at his age will become weak soon. So to paint more towns, he is now
tightly grasping his brushes.
|