With the premiere of "The Promise (Wu Ji)" in Beijing on Monday and the
nationwide public screening that began Wednesday night, the film has garnered
plenty of box-office buzz.
Chinese director Chen Kaige said he always had the market in mind, and has
much confidence in the film's market prospects.
"'The Promise,' like 'Farewell My Concubine,' is both a commercial production
and an art-house production," he said.
At the premiere of the movie, Chen was reportedly fuming at a reporter who
asked him how he would react if "The Promise" does not have a good box-office
result.
"The Promise" has received a barrage of media coverage over the past year.
The movie crew has also been leaking stories to the tabloids, and the film has
made headlines in the entertainment pages of newspapers.
In May, a very high-profile screening of the movie's 11-minute trailer was
held in Cannes. Western models dressed as ancient Chinese warriors lined the
paths of an ancient castle, which provided the backdrop of the event.
At Cannes, the North American, English, Australian and South African rights
were sold at US$35 million.
For a film with such high expectations and the highest budget among all
Chinese films, it took the crew 1,090 days, travelling more than 10,000
kilometres, to make it.
There are four main roles in "The Promise": a beautiful princess; a
courageous slave; an ambitious, charismatic mighty general; and an evil and
cunning duke. Each is overcome by vehement passions: greed, ambition, loyalty,
revenge and the unremitting search for true love.
At the beginning of the film, the general meets a goddess who predicts that
he will be defeated by fate. He will lose everything, including love.
The princess, who is also cursed in never finding true love, is the most
beautiful woman in the world. She is spoiled by the King, whom she does not love
at all. Once in a public gathering, she seduces the general to kill the King,
and she falls in love with the general.
The duke, determined to make the princess heartbroken, brings the general to
the royal tribunal. At the tribunal, the slave admits that it is him, not the
general, who has killed the King, expecting that by revealing the truth, the
general's life will be saved. But unexpectedly, this humiliates the general,
whose love for the princess is based on his claimed heroic act.
The former English title of the film was "Master of the Crimson Armour"
because the general wears a magic crimson armour.
Chen's signatory work was "Farewell My Concubine (Ba Wang Bie Ji)," which won
the best film award in Cannes in 1993 and was nominated for the Oscar's best
foreign film award.
"Farewell" established Chen's status as one of the most important film
directors in China.
However, many of his works, including "Life on a String (Bian Zou Bian Chang,
1991)," "Temptress Moon (Feng Yue, 1996)," "The Assassin (Ci Qin, 1999)," and
"Together (He Ni Zai Yi Qi, 2002)," came up as box-office failures.
Chen's private life has been as fascinating as his life as a film director.
His first wife was Hong Huang, the daughter of Zhang Hanzhi, who once served as
late Chairman Mao Zedong's translator.
After his divorce with Hong, he cohabited with Ni Ping in the early 1990s,
the most famous woman television hostess in China at that time.
In 1996, he met actress Chen Hong while shooting "Temptress Moon." The two
soon fell in love and got married.
Chen is the producer of "The Promise." She also plays the part of the
goddess.