Shanghai Daily news
The success of the MBC TV series "Dae Jang Geum", such a big hit with Chinese
audiences these days, has provoked a debate over whether the TV costume drama
from South Korea is better than its Chinese equivalents.
Despite the
contempt felt by some for South Korean costume drama (varying from the belief
that K-dramas are merely soap operas aimed at housewives to that they are not in
the same class as the Chinese ones in terms of shooting or costumes or props),
we can't close our eyes to the fact that the overwhelming majority of Chinese
audiences love K-drama. This raises the question, where does Chinese costume
drama fall short?
I selected this topic somewhat grudgingly. South
Korea was influenced by Chinese culture throughout most of its history, and
since it could be said to be not as prestigious as China in terms of the length
and depth of its history it is perhaps surprising that South Korean costume
dramas garner such high ratings when broadcast in China. You could scorn their
success as indicative of the human tendency to follow the herd. However, the
format has increased in popularity, and the Chinese audience shows no signs of
losing interest. The reason behind its success is worth pondering.
Let's
take a look at "Dae Jang Geum". It tells the legend of Jang-Geum, a maid who
became the only female royal physician in Korean history after living through
palace coups and the ups and downs of her own life. The drama is not innovative,
although the idea of using traditional Korean cooking to attract viewers is a
novel feature. Attractive girls, love and intrigue, fantastic scenery and music
- these elements were added to "Dae Jang Geum" and worked their magic, but after
all they have already been used in various ways in many TV dramas.
How does
"Dae Jang Geum" entice tens of millions of Chinese viewers? The following is a
selection of viewpoints published on Chinese websites: "The overt contention and
covert struggle in the royal kitchen where Jang-Geum worked reminds me of office
politics" ; "Jang-Geum has the virtue of benevolence, and a personality not
seduced by either fame or wealth"; "At first glance the TV drama seems like a
lesson on Korean cooking. Actually, it teaches you how to conduct yourself in
society. Instead of preaching, it educates you in a kind and informal
way".
"Dae Jang Geum" is a breath of fresh air to Chinese audiences who are
tired of the formulaic political intrigues and brutal murders of
domestically-produced costume dramas.
Chinese costume drama rose to
prominence as a genre in the 1980s. Almost half of today's domestic TV dramas
are of this type. While there are quality TV dramas among these works, for
instance those adapted from the four classical Chinese novels (namely, Dream of
the Red Chamber, Three Kingdoms, Journey to the West and Outlaws of the Marsh)
which have garnered worldwide fame, what else do we have to offer?
Again and
again we see an over-exposure of power struggles and absurd love triangles in
domestic costume dramas. I have no intention of criticising their historical
nature. What cannot be tolerated however is the distortion of history by these
so-called "costume dramas".
South Korean costume drama has the merits of
treating its history seriously and telling stories in a natural way. It is this
which touches the hearts of so many Chinese viewers.
(Abridged and Translated by Rachel Hou from an article published in
Jiefang Daily on October 8, 2005. Jiefang Daily is an official
publication of the Shanghai Municipal Committee of the Communist Party of
China)